Somnus—Through Creation’s End (2001)

Somnus—Through Creation's End (2001)

Somnus—Through Creation’s End (2001)

Details

Recorded in late 2001 at Magnetic North Studios in Cleveland, OH; except “Unfulfilled prophecy” (track 8) recorded live on 16 November 2000 on WRUW 91.1 GM (with bassists Lou Spencer). Engineered and mastered by Christopher S Keffer. Produced and mixed by Christopher S Keffer and Somnus.

Band

  • Scott Hilberg—Vocals, guitar
  • Dennis M Downey, Jr—lead guitar
  • Steve Rolf—Bass
  • Rhiannon—Keyboards and vocals
  • Chris Stolle—Percussion

Tracks

  1. The gate of wolves
  2. Warlock’s feast
  3. Dawn of spirits
  4. Tribunal of woe
  5. The deceiver
  6. Lament for winter’s passing
  7. Creation’s end
  8. Unfulfilled prophecy (live)

Review

Somnus were a gothic black metal band from Cleveland, Ohio, USA, formed in 1996 they played their last show in 2003, two years after the release of this their second album.

In true gothic metal style Somnus’s sound on this album is a blend of heavy guitars, over a pad of orchestral- or organ-sounding keyboards, melodic leads, and a fusion of growling male vocals with floating and fragile female vocals. Think: Cradle of Filth and you’re about 90% of the way there.

The album opens with “The gate of wolves” (track 1), a song that begins with a deep, growl that is joined by drums and guitars and a moment later keyboards. Every time I hear it I imagine the keyboards running up behind, a little late, “Wait for me! Wait for me!”

As the album progresses, I think it gets better. It gets a little more dramatic, a little more progressive, it pulls in elements of folk and pagan metal. But it’s by no means perfect.

“Tribunal of woe” (track 4) is, I think, one of the weakest tracks on the album: the keyboard voice sounds cheap, the drums are a bit of a mess. A couple of tracks on, though, “Lament for winter’s passing” (track 6) has a nice acoustic intro, and while the spoken vocal does sound a little cheesy, it’s quite a listenable, sorrowful song.

The closing, title track has a slow keyboard intro. Growling, spoken vocals begin the narration of the end of creation, “As I walk the path through eternity / Where the stars no longer reign / Fire glows on the horizon / With a trio of moons overhead”. For all its drama, and atmosphere I can’t help but think that this is Somnus’s “Stonehenge” (Spin̈al Tap). I still quite enjoyed it though.

Conclusion

Overall, not a bad album. One reviewer gave it 87% over on Encyclopedia Metallum. I can’t be that generous. Gothic black metal isn’t really my scene, although I do have a fond spot for early Paradise Lost.

 

Review score: 55%

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