Recorded at the Old Chapel by Gavin Johnson. Mixed and mastered at V-Edition Studios by Gavin Johnson. Produced by Gavin Johnson and Steroid Freak Pussy.
- Tommy Shan—Vocals
- Lee Coates—Guitars and backing vocals
- Lizard—Guitars and backing vocals
- Craig Dougan—Bass and backing vocals
- Tony “MEatball” Batley—Drums, percussion and backing vocals
- Anneka Latta—Vocals on “Nitroglycerine” (track 3)
- Mr Pete Shaw—Vocals on “Suicide nation” (track 4)
- Sweeney Todd—Vocals on “Shut your mouth” (track 6)
- Pussy blowout
- Fire your guns
- Suicide nation
- Wrong side of right
- Shut your mouth
With the chorus of the opening song “Pussy blowout” (track 1) including the line “Everybody wants a little bit of pussy / Everybody needs a little bit of pussy” it’s quite clear — as if the band’s name itself wasn’t enough of a clue — that UK sleaze rockers Steroid Freak Pussy are going down the in-your-face sexual imagery path of the likes of WASP, Faster Pussycat and Mötley Crüe.
It’s not really my thing really, either the lyrics or the music. That said, there is a bit of a Warrior Soul sound lurking in there somewhere but the cheap lyrics put it off for me, to be honest.
“Fire your guns” (track 2) is an energetic rocker that would probably sound great blasted loudly on the motorway. It’s probably my favourite track on the EP, but that’s not really saying much, to be honest.
“Nitroglycerine” (track 3) is built around a start-stop riff that is planted firmly in the sleaze rock genre, and features Anneka Latta’s vocals on the chorus (or pre-chorus).
“Suicide nation” (track 4) has a punk vibe and chugs along cheerily but there isn’t much to it. “Wrong side of right” (track 5) reminds me a little of early Motörhead in its attitude but it doesn’t have enough of a riff to interest me. It’s sleaze-by-numbers,
“Shut your mouth” (track 6) opens promisingly with a chugging riff and pounding drums. Alongside “Fire your guns” this is probably one of the strongest songs on the disc, but despite the strong intro it fails to deliver much during the verses,
This album wasn’t really for me. I was never really into glam or sleaze metal. This has a very 80s LA feel to it, in attitude if not entirely musical content. They weren’t so close to Warrior Soul (a band that I’ve seen live and would rank among my favourites) to redeem them for me. Thankfully the overly sexualized lyrics didn’t extend far beyond the opening track but by then they’d done their damage.
Review score: 45%